VOLUME 1:  Epostola. 21 Septembris 1788 (Sallander No. 46); Indulto. 18 February 1789 (Sallander No. 51); Lettera pastorale. No date. (Brooks 1348); Omelia recitata al popolo. 1789, (Sallander No. 54); Indulto. 1790. (Sallander No. 55);Omelia. Recitata nel giorno di Pentecoste, 1790 (Sallander No. 56); Omelia. Recitata nel giorno dell' Assunzione di Maria Vergine. 1790 (Sallander No. 57); Omelia. Recitata al popolo nel giorno si San Bernardo. 1790 (Sallander No. 58); Indulto pubblicato. 1791 (Sallander No. 59); Omelia. Recitata nel giorno di Pentecoste, 1791 (Brooks 432); Omelia. Recitata nel giorni di Tutti li Santi. 1791 (Brooks 433); Omelia. Recitata nel giorno di San Bernardo, 1791 (Sallander No. 61); Indulto. Per la Quaresima. 1792 (Sallander No. 65).

Provenance:  Front pastedown with bookplates of Fratelli Salimbeni (with shelving number) and of “G.P.C.” (with woodcut image of Pegasus and motto “Nec adversa retorquent”); front fly-leaf with early inked annotation “H.III.161" and lined-through (still partially legible) inscription “Bibliotheque Vallicellane”; title-page with early inked inscription “Petri Salvati - V.” surrounding printer’s vignette, and obscured inscription in lower portion. Later in the library of American collector Albert A. Howard, small booklabel (“AHA”) at rear.

•  Adams A409; Brunet, I, 125; Renouard, Estienne, 68:22; Schreiber, Estiennes, 88.   Later vellum, spine with gilt-stamped red leather title-label and gilt-stamped blue leather publication label; vellum with minimal dust-soiling and traces of wear to extremities, two bottom-most spine compartments with later replacement (blank) vellum “labels,” one now starting to peel slightly. All edges stained blue. Bookplates and inscriptions as above; front free endpaper with later pencilled annotations (one giving incorrect Adams reference). One early inked marginal annotation. Pages gently age-toned, with intermittent minor foxing to margins; final leaf with small paper flaws in lower margin. An attractive copy of an interesting and significant volume.  (37916)

WorldCat lists no U.S. institutional holdings of this edition.

Provenance: From the library of American collector Albert A. Howard, small booklabel (“AHA”) at rear.

•  Goldsmiths'-Kress 9103.0-1.   19th-century quarter diced brown sheep with marbled paper sides done in imitation of tree calf; spine gilt-stamped with title and decorative bands; corners bumped and leather lightly worn, foot of spine discolored from a now-absent label, red-inked onetime price note on fly-leaf, otherwise clean and fresh. Title-page with outer portion restored and one letter supplied; some occasional light spotting or staining but text really quite clean. A nice old book.  (37453)

Binding:  Original cartonné binding; title inked on spine, text untrimmed and partially unopened.

•  Catalogo ragionato dei libri d’arte e d’antichità posseduti dal conte Cicognara, 389; Riccardi, P. Biblioteca matematica italiana, vol. I, col. 16–7.   Bound as above, gently rubbed with squiggle of wormtracking through front board and first leaves including half title/frontispiece, portrait, and title-page, with delicate repairs thereto. Two central sections with light staining to upper outer corners, as of old, very light blue ink; some late leaves with slim crescent of old and likewise light waterstain just into top margins; two leaves with limited in-press ink smears (and a few mispaginations). Nice copy of an important work.  (37209)

•  Adams A475; Index Aurel. 102.349.   Contemporary vellum, worn and darkened, lacking ties. Hinges (inside) with insect damage causing partial opening, text block starting to pull away from spine. Front free endpaper with two inked ownership inscriptions, one dated 1620 and one 1898. Small area of worming to upper inner margins of about 40 leaves, minor and not approaching text. Scattered instances of early inked underlining and a very few marginalia, pages otherwise pleasingly clean. Ready for many more years of use!  (26501)

The text is divided into sections by author, each of whom the editor introduces with a brief biography. A short abstract printed in roman precedes each poem, printed in italic. Fine woodcut head- and tailpieces, and a variety of initials in historiated, patterned, and factotum designs, decorate the text; and the title-page features the woodcut printers' device of Truth personified, flanked by an eagle, a lion, a bull, and an angel, representing the Four Evangelists.

Provenance:  Ownership inscription on front fly-leaf of Luigi Pagani Cesa, possibly the Italian jurist born at Belluno in 1855, who served as a member of Parliament for 1904–13; and the words “penso che” (“I think that . . .”) written above, in an earlier hand?

•  Adams A1691; CNCE 2806.   Later glazed cream-colored boards, title and date inked on upper spine, small paper label on lower spine, marbled red edges; boards soiled and front joint opening. One spot of worming on front pastedown and on colophon leaf; traces of former mounting on colophon leaf verso. Title-page with one letter added in manuscript (o, in Bentivoglio). Trimmed close at margins almost grazing headline on a few leaves. Very minor stains on a few leaves, generally bright and crisp.  (30836)

As Prof. Emerita Frances W. Pritchett of Columbia University writes on her great website (http://www.columbia.edu/itc/mealac/pritchett/00islamlinks/ikram/part2_12.html): “Of all the aspects of Akbar's life and reign, few have excited more interest than his attitude toward religion. . . . [H]e built the Ibadat Khana, the House of Worship, which he set apart for religious discussions. Every Friday after the congregational prayers, scholars, dervishes, theologians, and courtiers interested in religious affairs would assemble in the Ibadat Khana and discuss religious subjects in the royal presence.”

It was to these discussions/conversations/debates that Acquaviva was invited. The religions represented were many, the major participants including Muslims, Jews, Catholics, Hindus, Jains, and Zoroastrians.  After several months Acquaviva felt his contributions to the debates insufficient to justify continuing as part of the mission and left the task to fellow Jesuits. On return to Goa his missionary work led him to the Hindu Kshatriyas of Salcette, south of Goa, which proved a fatal decision. Prior to his arrival, the Jesuits with the aid of Portuguese troops had destroyed some temples there; the Cuncolim Revolt of July, 1583, was partially a result of those actions and it was in the revolt that Acquaviva and the four companions alluded to in the title of this work were murdered.

The author of this biography was a major Jesuit historian of the Society's activity in Asia. He was the author of the monumental Istoria della Compagnia di Gesu (1650–1673) in 6 folio volumes, Della vita e dell'istituto di S. Ignatio, fondatore della Compagnia di Gesu (1650), L'Asia (1653), Il Giappone, parte seconda dell'Asia (1660), La Cina, terza parte dell'Asia (1663), L'Inghilterra, parte dell'Europa (1667), L'Italia, prima parte dell'Europa (1673), and biographies of Jesuits Vincenzo Caraffa (1651), Robert Bellarmine (1678), Stanislas Kostka (1678), Francis Borgia (1681), and Niccolo Zucchi (1682). Also of interest are his works on science: Della tensione e della pressione (1677), Del suono, dei tremori armonici, dell'udito (1679), and Del ghiaccio e della coagulatione (1682).

This is the second edition of Bartoli's account of Acquaviva and his mission, following the first of the previous year. Searches of NUC, WorldCat, and COPAC locate just two copies of the 1663 edition, both in the U.S., and similarly only two copies of this 1664 (one in Germany, one at Oxford).

•  DeBacker-Sommervogel, I, 975; Graesse, I, 303 (for first edition and other later editions but not knowing of this second).   Late 18th-century quarter vellum over light boards covered with green paper. Undeciphered 17th-century ownership inscription on title-page. Waterstaining, at times significant, at others barely visible. A sound copy with no worming or tears.  (35200)

•  Publisher's stiff wrappers in the publisher's open-back slipcase. New.  (35392)

Provenance:  From the library of American collector Albert A. Howard, small booklabel (“AHA”) at rear.

•  Brunet, I, 768 (for 1598 ed.); Cicognara, I, 1402 (for 1598 ed.); EDIT16 CNCE 5106; Mortimer, Italian 16th Century Books, 50.   18th-century mottled calf, framed and panelled in blind with blind-tooled corner fleurons, spine with gilt-stamped title and board edges with blind roll; leather almost entirely sueded. Later endpapers (watermarked “Chantry”). Lacking one signature and four plates, including one folding. Last few leaves annotated as above, some notes shaved. Imperfect and so priced; still, both attractive and worthy of study.  (37836)

Though several editions were printed in a short period of time in the 16th century (1538, 1540, 1542, 1545), extant copies are few and far between. Searches of WorldCat, COPAC, and the NUC revealonly one holding of this edition in a U.S. institution (Penn).

Evidence of Readership: An early owner has added a handful of inked words and marks on two pages; a more recent owner has penciled extensive notes on several endpapers, supplied page numbers where lacking, marked several passages with arrows or bars, and written a marginal word.

Provenance:  Title-page marked with initials “G.D.S.R.” in ink; most recently in the library of American collector Albert A. Howard, small booklabel (“AHA”) at rear.

EDIT16 seems to have based its entry on an incomplete copy, for it gives the foliation as 267 [i.e., 167], and while folio 167 is misnumbered in this copy, there is also a folio 168 that is correctly numbered.

•  EDIT16 CNCE 5538; Adams B753; not in Gamba, Serie dei testi di lingua.   Recent cream calf, spine with two dark red leather labels, new endpapers; light scratching. Provenance and readership evidence as above. Light dust-soiling, staining, or spotting mostly in margins; just under four gatherings with light marginal waterstaining. A desirable representative of the burlesque poetry genre.  (38032)

Provenance:  Title-page, rear free endpaper, and rear pastedown rubber-stamped “Ex libris Augustini Mueller.” Later from the residue of the stock of the F. Thomas Heller bookselling firm (est. ca. 1928).

•  Goldsmiths'-Kress no. 29998.   19th-century quarter brown sheep, marbled paper–covered sides in a Spanish wave and shell vein pattern; spine with gilt-stamped red leather title-label, blind-tooled decorative motif in center, and small gilt roll bands. Binding moderately rubbed overall, more so at edges, extremities, and joints; light to moderate foxing, one page with small area of tiny ink splatters in outer margin; large Mueller rubber-stamp as noted. A sound, more than serviceable copy of this interesting work.  (40072)

Provenance:  Hevdholm Bibliothek stamp on title-page; acquired by PRB&M at an auction at Freeman's in Philadelphia in 1992; sold to a private collector the same year; reacquired by PRB&M at a Swann auction over 25 years later. (Jokes about “bad pennies returning” occur to one; but this is too nice a “counterfeit” to permit fair indulgence in them!)

•  Pettas, The Giunti of Florence (2013 ed.), 217; Adams B2147; Gamba 172; Zambrini, Bibliotheca Boccaccesca, p. 36; Edit16 CNCE 24078; I Giunti tipografi editori di Firenze, I, p. 133; Renouard, Annali delle editione aldine; pp. 1–11; Brunet, I, p. 999.   18th-century mottled calf with round spine, raised bands, and gilt spine extra, with later endpapers; all edges carmine. Front joint (outside) abraded and opening from top, rear one just starting at bottom; front cover with two wormholes and old worm action contributing to the startings. Text is unwormed, clean, and white save for a display of foxing on the title-page and occasionally a very limited spot of soil, staining, or foxing elsewhere. Sound, handsome, and a most interesting production. (40738)

Provenance:  Bookseller label of Leo S. Olschki.  Most recently in the collection of Albert A. Howard, small booklabel (“AHA”) at rear.

Searches of NUC and WorldCat find fewer than a dozen North American libraries reporting ownership.

•  Willems 1542.   19th-century maroon calf, plain but with raised bands beaded; rose-color endpapers. Fly-leaf with old, largely obliterated inscription; a few preliminary leaves with old faded waterstains along the outer and top margins. An attractive copy of a nice little Elzevir.  (37778)

Binding:  Black morocco, spine lettered and tooled in gilt using six different rolls and a single and a triple rule; two compartments stamped in blind. Covers single-ruled in gilt around a frame of blind-stamped flowers with a blind-embossed “chipped” diamond design at center that incorporates two different texturings and a central circle-and-swirls motif; board edges and turn-ins gilt in zig-zag patterns. Marbled endpapers and all edges marbled in an identical design. Green ribbon place marker still attached.

Provenance:  Presentation label noting “To Angelo C. Hayter, from his affectionate father, Sir George Hayter. 1864" on front pastedown; title-pages with barely legible rubber-stamp from St. Michele's in Bologna. George Hayter (1792–1871) was a noted English painter who served as Queen Victoria's Principal Painter in Ordinary. Most recently in the library of American collector Albert A. Howard, small booklabel (“AHA”) at rear.

•  Bound as above, gently rubbed, tailband partially detached; provenance evidence as above, four examples of a chipped margin, trimmed corner, or tremoin. Light to moderate age-toning with a handful of spots. A clean and handsome copy.  (37740)

WorldCat locatesonly three U.S. institutional holdings of this edition.

Provenance:  From the library of American collector Albert A. Howard, small booklabel (“AHA”) at rear.

•  Adams C1190; EDIT 16 CNCE 71312; Brunet, I, 1701; Index aurel. 134.670.   19th-century half calf over marbled paper–covered boards, spine with gilt-stamped olive morocco title-label and gilt-tooled bands, all page edges speckled in brown; binding rubbed and worn, joints cracked but holding. First gathering very possibly supplied from a different copy. Front pastedown with two older cataloguing slips affixed; front free endpaper and (tipped-in) fly-leaf with later inked annotations in Latin and Italian. Occasional small spots of foxing and ink staining; a limited circle of light waterstain(?) to last leaf; a very few small early inked marks of emphasis in margins. A solid, eminently readable copy of animportant, readable, and uncommon early prose romanzo d'amore.  (37524)

Provenance:  Front pastedown with armorial bookplate of Benedetto Grandi, a collector of books and antiquities, and with small early label marked “Attilio”; front free endpaper with bookplate of Dom Henri Quentin (1872–1935), philologist and editor of the Vulgate Old Testament.

•  Brooks 1018; Giani 180 (p. 72; apparent error in collation).   Bound as above, lightly rubbed overall and spine sunned to olive. Scattered minor foxing; small signs of worming buried in gutters and other spots in inner margins with repairs done some time ago, with occasional minor adhering between pages at repair locations. Solid and very readable; a pleasing copy. (40193)

A search of WorldCat finds only five U.S. institutions reporting holdings (Harvard, Southern Methodist, University of Oregon, University of Texas, University of Wisconsin).

Provenance:  Front pastedown with bookplates of Robert Wayne Stilwell and Brian Douglas Stilwell.

•  Brooks 804; De Lama, II, 142; Giani 134 (p. 65).   Contemporary limp marbled boards, spine with original printed paper label upside down at foot of spine; lightly rubbed overall, spine slightly darkened. Endpapers with pencilled bibliographic annotations, front pastedown with early inked numeral and tiny inscription. Page edges untrimmed, a few with chips and some with lightest dust-soiling; a very attractive little item.  (40183)

•  Brooks 1146; De Lama, II, 218–19.   Contemporary speckled paper–covered boards, framed in single blind roll, spine with later gilt-stamped red leather title and publisher labels; spine darkened, edges and extremities chewed, back joint starting from head and foot. Front pastedown showing small line of adhesion from now-absent affixed label. A very few faint spots of foxing only, indeed happily few as Bodoni productions can go; internally, an attractive, wide-margined example, with its page edges untrimmed.  (40201)

Provenance:  A shelfmark has been added on the top edge and title on the bottom edge in ink, with the shelflabel of Domenico Olivieri di Parma on the front pastedown; most recently in the library of American collector Albert A. Howard, small booklabel (“AHA”) at rear.

•  Adams D437; Bongi, Annali di Gabriel Giolito, II, 295–7; EDIT16 CNCE 17123; Graesse, II, p. 389; Schweiger, II, 332.   19th-century quarter vellum and beige paper–covered boards, gilt-stamped green leather spine label, pink ribbon placemarker; expectable dust-soiling on covers, one limited stain on front. Light to moderate age-toning, three gatherings with rather light marginal waterstaining; title-page and a few other leaves with small stains of various darkness, a missing corner, a marginal repair, or a short tear. Provenance indicia as above, one inked note on front free endpaper, ink on edges occasionally bleeding slightly into margins. A neatly, in fact elegantly packaged overview of the Trojan War and Greek historians.  (39331)

A full-page woodcut portrait of author is found on the verso of leaf *8, along with the printer's woodcut device on the title-page and woodcut headpieces and initials throughout the text.

Provenance:  From the library of American collector Albert A. Howard, small booklabel (“AHA”) at rear.

•  Grässe, II, p. 424; Marsili-Libelli, Anton Francesco Doni,; 57; Edit16 CNCE 17710; Gamba 1367 (note). . .   Early 20th-century vellum over light boards, ruled and tooled and lettered in gilt; marbled endpapers. Possible ownership name in one margin (not deciphered). Light waterstaining in some upper and lower margins, with occasional limited effect to text; overall in facta good and attractive copy.  (40658)

Provenance:  Front pastedown with bookplates of Robert Wayne Stilwell and Brian Douglas Stilwell.

•  Brooks 672; De Lama, II, 124; Giani 102 (p. 59).   Modern quarter brown morocco and marbled paper–covered boards, spine with gilt-stamped title; traces of wear to front joint and extremities. Title-page with spot of staining affecting final two letters of epigraph from Vergil, carrying through to first dedication leaf; foxing in the variable degrees typical of so many Bodoni productions. Clean and solid; page edges untrimmed.  (40177)

This Bodoni production is now uncommon, with searches of WorldCat findingonly three U.S. institutions (University of Illinois, University of Kansas, Yale) reporting holdings.

Provenance:  Front pastedown with bookplates of Brian Douglas Stilwell and Robert Wayne Stilwell.

•  Brooks 1298.   Contemporary quarter brown morocco and marbled paper–covered sides, spine with gilt-stamped title and acanthus motifs; binding rubbed. Very minor spots of foxing to title-page, wide-margined pages otherwise clean.  (40205)

This announcement of Tournon's death, written in Italian with Latin quotations, is attributed to the Cardinal's deputy, Abbot Giangiacomo Fatinelli; following the main statement are “Verba per Sanctissimum Dominum Nostrum Clementem Papam XI . . . de obitu Cardinalis de Tournon” and Carlo Majelli's “Oratio habita in Sacello Pontificio V. Kal. Decembris A.D. MDCCXI. in funere ... Cardinalis Caroli Thomae Maillard de Tournon apostolici ad Sinas, & Indias Orientales.” This is the second of three editions published in 1711, with this being a notably scarce printing: Searches of WorldCat findonly three U.S. institutions reporting holdings (Harvard, Princeton, and Cleveland).

•  Cordier, Bibliotheca Sinica, 913–14 (for Gonzaga ed.); DeBacker-Sommervogel, XI, 1285-6 (calling for 38 pages only, i.e. the first part).   Later plain paper wrappers, darkened and worn, back wrapper with numeral in red. Title-page with early inked numeral in upper outer corner. Title-page mildly foxed, pages otherwise overall clean.  (40109)

Provenance: “Foglieta Claro[rum] Illustrium” has been written in ink along the bottom edge with “Don Berardi della Ferra” and another name scribbled out on the title-page, as well as a signature dated 1669 below the colophon, in what appear to be three different early hands; most recently in the library of American collector Albert A. Howard, small booklabel (“AHA”) at rear.

•  Alden & Landis, European Americana, 588/31; EDIT16 CNCE 19333; Sabin 24942. Not in Adams. On Foglietta, see: Treccani (online).   Contemporary limp vellum, title inked on spine and bottom edge, evidence of now-absent ties; spine darkened and crackling just enough to show evidence of binding waste, some spotting on covers, endpapers repaired. Provenance notes and booklabel as above. Light to moderate age-toning and mostly faint marginal waterstaining throughout, with intermittent foxing and a handful of spots. Three leaves including the title-page have been repaired. Exactly what one expects a nice 16th-century book to look like!  (39368)

Searches of WorldCat and the NUC suggest that two U.S. libraries report ownership, but there is reallyonly one and it is now at Georgetown.

Binding:  Contemporary cream speckled paper over boards in imitation of vellum, covers bordered in gilt single and red double fillets; red leather title label to spine divided into compartments by gilt-stamping in broad bands, with a gilt device in each compartment. Ornate gilt inner dentelles, and stiff marbled endpapers typical of the era. Top edge gilt, others untrimmed.

•  Bound as above, front cover very slightly sprung; corners bumped with some accompanying discoloration, not severe. Two front fly-leaves with pencilled notes, some faint spots of foxing. Overall a clean, lovely little book; quite pleasing.  (36682)

Of the two Salicato printings of 1590, this offering is distinguished by a dedication from Giovannini to Annibale Ruccelai instead of the later dedication to Bernardo, Brandimarte, and Bartolomeo Lovaria. The text, in Italian, is neatly printed in single columns using mostly italic and some roman type, with several decorative and historiated initials as well as head- and tailpieces; Salicato's printer's device appears on the title-page.

Provenance:  From the library of American collector Albert A. Howard, small booklabel (“AHA”) at rear.

•  Adams F954; Brunet, II, 1377; EDIT16 CNCE 79848; Graesse, II, p. 628. On Franco & Giovannini, see: Treccani (online).   Rebacked 18th-century speckled calf, spine with gilt-lettered red leather label, raised bands ruled in gilt, covers framed in gilt double fillets; extremities rubbed, original leather showing fine cracks, free endpapers chipped (with a few pencilled notations). All edges speckled red. Light age-toning and mostly faint marginal waterstaining, a few other stains; four leaves with uneven edges or marginal paper flaws from manufacture. Booklabel as above, evidence of partially removed bookseller label; title-page with small ink dashes, five leaves with mostly illegible ink notes (occasionally offsetting) in an early hand. Intriguing, particularly in comparison with Franco's original.  (39319)

The Corollarium is only found bound with the Adlocutiones, as here; however the latter was also published separately the same year. Both were printed by Pietro Nesti at Florence using roman and italic type with woodcut initials, ornaments, head- and tailpieces. This volume concludes with the original final blank, lacking in many copies, although the Corollarium seems to lack a preliminary signature of two leaves (probably a blank and a sectional title leaf).

Provenance:  Front fly-leaf and title-page with early owner's inscription of Oliver Pagn[...]; fly-leaf verso with owner's inscription dated 1650 of Jo[h]annes Baptista Adimari (related, perhaps, to Alessandro Adimari, a member of Gaddi's Accademia who died in 1649?); and front fly-leaf with later owner's inscription of Philadelphian Henry John Gibbons (“Rittenhouse Square West”).

•  Contemporary flexible vellum with title inked to spine, pierced at the edges for four ties, now wanting; repairs with tissue to headcap, spine, and front cover edge. Title-page and following leaf repaired in two places, and following 30 pp. repaired in outer margin; first two leaves of second book wanting, as above. Foxing and occasional other staining throughout, the occasional tear, one leaf holed touching text but not spoiling reading, rear free endpaper torn away. Doodlings on front pastedown and fly-leaf; brief index to the first part written by an early hand on final recto and rear pastedown; later pencil markings. A proud witness to the interests of (Italian) academia.  (30505)

Provenance:  Front pastedowns each with bookplate of Robert Wayne Stilwell.

•  Brooks 1063; De Lama, II, 187; Giani 189 (p. 74).   Modern full crimson morocco, covers framed in single gilt fillet, spines with gilt-stamped title and volume numbers, gilt-dotted raised bands, and gilt-stamped floral decorations in compartments, in a matching cloth slipcase; original paper spine labels for the four volumes affixed to front pastedowns. Page edges untrimmed; one leaf in vol. I with chip out of lower margin and with signature 2 (pp. 9–16) bound in twice. A very few scattered small spots to first three volumes, fourth volume slightly more noticeably so affected, pages overall clean and crisp. A handsome set. (40196)

•  Brooks 818; De Lama, II, 145; Giani 141 (p. 66).   Contemporary marbled paper–covered boards, spine with hand-inked paper label, rubbed and fadedl; front joint cracked with spine wanting to pull away from text block although still attached. Back pastedown with small inked annotation and pencilled collation note. Scattered minor foxing, two pages with light offsetting from now-absent laid-in item, pages overall clean with untrimmed edges. An uncommon Bodoni production.  (40185)

Binding:  Rich green morocco, spine stamped and lettered in gilt with compartmental fleurons, covers framed and panelled in blind double fillets with gilt decorative corner stamps, board edges with single gilt fillet, turn-ins with decorative gilt rolls, marbled endpapers, all edges gilt. Signed binding by Capé, name camouflaged in lower front turn-in.

Provenance:  From the library of American collector Albert A. Howard, small booklabel (“AHA”) at rear.

•  EDIT 16 CNCE 47120; Adams G1358; Gamba, Serie dei testi di lingua e di altre opere importanti nella italiana letteratura scritte dal secolo XIV al XIX (4th ed.), 687; Brunet, I, 1737.   Bound as above, moderately rubbed especially corners and spine. Light pencilling on endpapers and one blue crayon mark over a numbered stamp with another stamp at back; provenance as above, old oval rubber-stamp (imperfect) on two leaves of text. Two small marginal paper flaws; leaves with a few instances of light marginal waterstaining or the occasional spot and light age-toning generally. An elegant production, an attractive volume.  (37997)

•  EDIT16 CNCE 22234; Palau 110317; USTC 835287. Not in Adams.   Contemporary limp vellum, evidence of ties now gone; spine with some sections chipped away, remnants of blue and white printed label, and inked title; binding stained, rubbed, and worm tracked with title-page, last two leaves of text, and endpapers also tracked. Interior overall rather nice with age-toning, intermittent foxing or faint marginal waterstaining, and a few leaves creased along corners. Otherwise a few flawed leaves, probably from paper manufacture, and pagination erratic; provenance indicia as above, front free endpaper with early inked annotation in Italian, and one marginal accent in ink Sound, despite noted binding flaws, and an interesting work.  (39705)