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GENERAL MISCELLANY
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A Most Creatively
Faux-Medieval Manuscript from
(“A” is for “Ah! Just Look at This”)! Lindsay, Margaret E.; Alice F. Lindsay, illus.; et al. Manuscript on paper, in English: “Dark Baron Rolf. Or a romance of the Middle Ages.” [U.K.]: “New Year's Eve,” 1866. 4to (26.1 cm, 10.27"). [2], 54 pp.; illus.
Click the images for enlargements.
a gift from four young sisters to their mother. The fair Lady Madeline's adventures — which show a certain degree of Sir Walter Scott's influence, and which begin in a convent and end in blissful marriage — feature 
16 brightly rendered watercolor illustrations of various sizes, some quite large, as well as
several apparently original lyrics including lines such as “O I would that my heart would merry be,” and “Fill the goblet to the brim / Fa-la-la-la-fal-la-la.” Also present are a musical setting of the Miserere, with accompanying poetic English translation, and a troubadour-style song of four verses set to an original melody. 
red and black inks within red-line borders, with its accomplished, charming illustrations (by Alice Frances, b. 1849) similarly red-framed. Each page, numbered, carries a sometimes breathless red header (“The Choice,” “Gone to Palestine,” “The Widowed Bride,” “Found!”).
Their final result is, without exaggeration, a treasure.
Binding: Scarlet morocco, covers bordered and panelled in gilt and black rules surrounding a gilt frame incorporating foliate motifs; front cover with gilt-stamped coronet and “M.L.” monogram. Spine gilt extra, board edges and turn-ins gilt with rolls, moiré silk endpapers, all edges gilt. 
Binding stamped by C.E. Clifford of Piccadilly.
• Bound as above, minor rubbing to corners and spine extremities. Pages age-toned with scattered faint smudges only, these testifying along with the title-page that many hands labored over the leaves. 
A delightful fantasy creation, a charming family love-gift, a surviving family “period piece” with impressive family provenance. (41478)
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Too Much Was NOT Enough — THIS Copy with Quasi-Relics of St. Macarius(“A” is for “A” Plethora of Plates, PLUS!). Meyer, Jean. Description du jubilé de sept cens ans de S. Macaire, patron particulier contre la peste, qui sera célébré dans la ville de Gand ... a commencer le 30. de mai jusqu'au 15. juin 1767, avec le détail ultérieur des cérémonies, solemnités, cavalcade, ornemens, & des feux d'artifice ... Gand: Chez Jean Meyer, imprimeur de la ville, 1767. 4to (26.5 cm, 10.5"). [4] ff., xii, 84 pp.; 15 plts. (some fold.), illus.
Click the images for enlargements.a splendid procession featuring 46 floats/tableaux including such exotica as elephants, crocodiles, and American Indians. Each plate has text explaining the content and emblematic and rare nature of the display. Emmanuel Petrus van Reyschot designed the rococo plates and F. Heybrouck, P. Wauters, and J.L. Wauters etched them. The work ends with a “Liste des personnes qui accompagnent la cavalcade” (pp. 75–82) and the “Detail des rejoissances publique, qui auront lieu en cette Ville depuis la 30 Mai jusqu'au 15 Juin 1767" (pp. 83–84). All in all, it was clearly a splendid ceremony and spectacular spectacle.
the piece of vellum attached to the broadside, with a hand-colored and illuminated engraving of St. Macarius, actually touched the bones of the saint. The image, engraved by Alexander Goetiers (1637–86) and so signed, shows the saint in a field with the Holy Ghost in the form of a dove above his right shoulder; the vellum measures 9 x 7 cm (3.75" x 2.75"). The broadside further states that
the included bit of cloth is a fragment of the covering of the afore-mentioned remains (“insuper adjunctum frustrum esse tegumentis, in quibus praedictae Reliquiae fuerunt involutae”).
• Rosenwald Collection (1977) 1734; Cicognara 1524; Ruggieri 1111; Vinet 817. Not in Landwehr because this ceremony was not for a state entry. 19th-century half vellum with marbled paper sides; vellum darkened, sides scuffed. Some age-toning; a few short tears in lower margins. Very satisfactory condition.A fantastic book in a remarkable copy. (39787)
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A 30-Item One-Author Sampling ofBodoni “Job Printing”(“A” is for “A BUNDLE” . . . o' BODONI)! Turchi, Adeodati. Collection of Bodoni editions of 30 works by Turchi. [Parma: Dalla Stamperia Reale], 1788–96. 12mo & 8vo. In 3 vols.
Click the images for enlargements.Sermons, pastoral letters, and homilies are among the types of job printing that have provided necessary cash flow for all presses throughout time. And because of their ephemeral and narrow-interest nature combined with their short print runs, they tend to be among the scarcest productions of the Bodoni Press.
VOLUME 1: Epostola. 21 Septembris 1788 (Sallander No. 46); Indulto. 18 February 1789 (Sallander No. 51); Lettera pastorale. No date. (Brooks 1348); Omelia recitata al popolo. 1789, (Sallander No. 54); Indulto. 1790. (Sallander No. 55);Omelia. Recitata nel giorno di Pentecoste, 1790 (Sallander No. 56); Omelia. Recitata nel giorno dell' Assunzione di Maria Vergine. 1790 (Sallander No. 57); Omelia. Recitata al popolo nel giorno si San Bernardo. 1790 (Sallander No. 58); Indulto pubblicato. 1791 (Sallander No. 59); Omelia. Recitata nel giorno di Pentecoste, 1791 (Brooks 432); Omelia. Recitata nel giorni di Tutti li Santi. 1791 (Brooks 433); Omelia. Recitata nel giorno di San Bernardo, 1791 (Sallander No. 61); Indulto. Per la Quaresima. 1792 (Sallander No. 65).
All volumes are clean, sound, and attractive. (40140)
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A Series of Medieval Manuscript LEAVES
(“A” is for “A Selection”). A selection
eminently suitable for use in the teaching and practicing of paleography.
Click the images for enlargements.simply lovely. Most represent scribal work of the 13th to early 16th century and most are from books of devotion.
For more MANUSCRIPTS, click here.For LEAVES, click here. For RELIGION, click here. For CATHOLICA, click here. For CALLIGRAPHY / WRITING, click here. For a collection of COLLECTIONS, click here.
Our highlighted entries are repeated in their
20th-Century Fine-Press Printing . . . Achilles Tatius. The loves of Clitophon and Leucippe translated from the Greek of Achilles Tatius by William Burton reprinted for the first time from a copy now unique. New York: Bernard Guilbert Guerney, 1923. Folio (30.5 cm, 12"). xxxi, [9], 152, [6] pp.
Click the images for enlargements. This isnumbered copy 459 of a total of 503 printed (394 for sale in Great Britain, 104 for sale in America, and 5 special copies on vellum), signed B.G.G. on the limitation.
• Publisher's quarter tan cloth and brown paper–covered sides, front cover and spine each with printed paper label; corners bumped, spine darkened, spine label chipped. Pages clean; edges deckle with a very few signatures uncut. (33816)
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Title-Border & Initials by Hans Baldun GrienEx–Donaueschigen LibraryAdelphus, Johannes, Jakop Wimpheling (comm.). Seque[n]tiarum lucule[n]ta interpretatio: nedu[m] scholasticis, sed [et] ecclesiasticis cognitu necessaria. [Strassburg: Knoblouch], 1513. 4to (21 cm, 8.25"). CXXXVI, [4], LXXX ff.
Click the images for enlargements.the first edition of the Humanist commentaries of Johannes Adelphus and Jakop Wimpheling on the Sequences of the Mass and the Hymns of the Breviary, respectively. 
Wimpheling introduces his commentary to the Hymns with prefatory comments in which he supports the contribution that training in the arts of literary expression can make to a proper understanding of religious texts. He promotes the pedagogic virtues of the hymns themselves; in particular, he notes that the diversity of meter they employ makes them apt vehicles for teaching Latin prosody while the grammatical and rhetorical skills acquired from studying them will in turn lead to a sharper, more sophisticated and more accurate reading of hymns as texts of Christian spirituality, and therefore to a deeper piety.
Hans Baldung Grien provided the title-page woodcut boarders [Oldenbourg 236] and two large historiated initials, one at the beginning of each part, respectively: the Death of the Virgins [Oldenbourg 232] and the Adoration [Oldenbourg 221].
On this important edition, see Ann Moss, “Latin Liturgical Hymns and their Early Printing History” (Humanistica Louvaniensia, XXXVI [1987], 125-28).
Provenance: Impressed into the front board are the initals L C V of the Franciscan convent of Villigen; upon suppression of the convent, to the Donaueschigen Library, its oval stamp on the verso of the title-page; that library sold in 1994; later in the library of American collector Albert A. Howard, small booklabel (“AHA”) at rear.
• Proctor 10081; Adams L1126; VD16 S5978 & H6503; Index Aurel. 100.597; Schmidt, Knobloch, VII, 82; Ritter 5; Oldenbourg, Hans Baldung Grien, L28. Original wooden boards, rebacked in 19th-century pigskin with old paper label and evidence of single missing clasp; provenance marks as above. Variable old water- and dampstaining, no tattering or tears, title-pages lovely. (40642)
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A Mini Leaf BookAdomeit, Ruth E. An original leaf from the Newbery Bible 1780. With an essay. Los Angeles: [colophon: printed by William Cheney for Dawson's Book Shop], 1980. Miniature (49 x 42 mm; 1.875" x 1.625"). 18 pp., [1 (colophon)] f., leaf of 1780 Bible tipped in.
Click the images for enlargements. For this miniature book she provides an essay about the Newbery printing firm, the origin and development of miniature Bibles, and the printing of Newbery's 1780 printing of The Bible in miniature, or a concise history of the Old & New Testaments. Tipped in on p. 3 is a leaf from that famous Thumb Bible, the leaf here being pp. 87–88.
The edition of this mini was limited to 125 (unnumbered) copies.
• Disbound and Dispersed 168.5 (giving incorrect measurements and pagination). Publisher's brown half-morocco with marbled paper sides. Fine copy. (34814)
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This “Old Woman” Has aMIGHTY VIOLENT Turn of Mind!
The adventures of little dame Crump and her little white pig. Albany: Fisk & Little, 82 State Street, [1854–57]. 12mo (18 cm; 7"). [16] pp.
Click the images for enlargements.
Provenance: From the children's book collection of Albert A. Howard, sans indicia.
Searches of NUC and WorldCat locate only two libraries reporting ownership (Princeton, University of North Carolina Greensboro).
• Publisher's green wrappers, spine with later oversewing; dog-eared copy with fore-edges a little tattered. Staining on all pages; some short tears at foremargins and what might well be a worm hole in upper margin of all leaves. Not the prettiest copy, but clearly one enjoyed (and abused) by children — and alsoone of the few surviving copies. (38859)
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Enhanced by a Fan of St. John — In a Contemporary Binding & with78 WoodcutsAemilius, Georg. Evangelia quae consueto more dominicis et aliis festis diebus in ecclesia leguntur. Coloniae Agrippinae: Ad intersignium Monocerotis [Walther Fabritius], 1566. 8vo (16 cm, 6.3"). [176] ff.; illus.
Click the images for enlargements.78 in-text woodcuts, a scarce few repeated, the Latin text is printed in single columns using an italic font with the occasional shouldernote in Greek and four historiated initials. First published in 1549, this text was extremely popular in its day, with at least nine different editions by 1579, though all editions are now uncommon and this one quite scarce; searches of WorldCat and NUC reveal only one U.S. institution reporting ownership.
Evidence of Readership: An early reader has underlined and added some marks of emphasis and words in an early hand to seven leaves of text, all excerpts taken from the Gospel of John.
Provenance: Two ownership and one duplicate release rubber-stamps appear on the title-page verso, the first from the Universitätsbibliothek München dated between 1800 and 1826; most recently in the library of American collector Albert A. Howard, small booklabel (“AHA”) at rear.
• VD16 E 4570. Not in Adams; not in Index Aurel. Bound as above, rubbed and cracked with losses of leather and board extremities; bands and sewing tabs visible. No pastedowns; front free endpaper creased, front fly-leaf with pencilled note. Light age-toning with marginal and gutter waterstaining of varying darkness throughout; a few chipped edges, creased corners, or uneven edges; one short marginal tear. Provenance and readership indicia as above, else clean. Well used and in fact the more interesting for that. (38914)
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The Editio Princeps Aeschylus. [7 lines in Greek romanized as] Aischylou tragodiai hex. Prometheus desmotes. Hepta epi Thebais. Persai. Agamemnon. Eumenides. Hiketides. [then in Latin] Aeschyli tragoediae sex. [colophon: Venetiis: In aedibvs Aldi et Andreae soceri, 1518]. 8vo (15.8 cm, 6.25"). 113, [1] ff.
Click the images for enlargements.
Provenance: From the library of American collector Albert A. Howard, small booklabel (“AHA”) at rear.
• Renouard, Alde, p. 85, no. 9; UCLA, Aldine Press: Catalogue of the Ahmanson-Murphy Collection (2001), 164; Kallendorf & Wells, Aldine Press Books, 157; EDIT16 CNCE 328; Index Aurel. 100.913; Adams A262. Binding as above. Light waterstaining to foremargins, perhaps more than occasional but not throughout; in fact, a clean and handsome copy. (40776)
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“Harry of England, Your Career Shall be Stained in
Blood!”Ainsworth, William Harrison. Windsor Castle. An historical romance. London: Henry Colburn, 1844. 8vo (24.5 cm, 9.69"). Add. engr. t.-p., x, [2], 324 pp.; 22 plts., illus.
Click the images for enlargements.a total of 22 engraved plates, including a frontispiece portrait of the author, 4 plates by Tony [Antoine] Johannot, and 14 by George Cruikshank, who stepped in to replace Johannot as soon as he had finished illustrating Ainsworth's previous serial, The Miser's Daughter. In addition, W. Alfred Delamotte supplied an abundance of in-text wood engravings.
The work was first serially published in Ainsworth's Magazine in 1842–43, with a three-decker book-form printing following shortly after its completion; the present example (described as a “new edition” on the title-page) follows the story's first appearance in one volume in 1843. This copy is in the publisher's original gilt-stamped red cloth binding.
• NCBEL, III, 912; NSTC 2A5904. Publisher's textured red cloth, covers with embossed knotwork frames, front cover with gilt-stamped deer and castle vignette, spine with gilt-stamped title and three scenes; joints and extremities rubbed with cloth starting to peel at back corners, spine and board edges somewhat darkened. Frontispiece portrait with upper outer corner waterstained (not affecting image), added engraved title-page darkened, scattered small spots of foxing to pages and plates. A delightful Cruikshank item, and thrill-inducing in its own right as an English Gothic historical novel. (39887)
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Brunet: “Belle Édition” — Sole Italian Estienne — Tall CopyAlamanni, Luigi. La coltivatione di Luigi Alamanni al christianissimo re Francesco Primo. Parigi: Ruberto Stephano, 1546. 8vo (20.8 cm, 8.2"). [2], 154, [2] ff.
Click the images for enlargements. 
the only work Estienne printed in Italian. Schreiber notes that the tallest copy he had seen measured 8 1/4", with the current example coming very close to that; the dedication, errata, and privilege are all present here.
Provenance: Front pastedown with bookplates of Fratelli Salimbeni (with shelving number) and of “G.P.C.” (with woodcut image of Pegasus and motto “Nec adversa retorquent”); front fly-leaf with early inked annotation “H.III.161" and lined-through (still partially legible) inscription “Bibliotheque Vallicellane”; title-page with early inked inscription “Petri Salvati - V.” surrounding printer’s vignette, and obscured inscription in lower portion. Later in the library of American collector Albert A. Howard, small booklabel (“AHA”) at rear.
• Adams A409; Brunet, I, 125; Renouard, Estienne, 68:22; Schreiber, Estiennes, 88. Later vellum, spine with gilt-stamped red leather title-label and gilt-stamped blue leather publication label; vellum with minimal dust-soiling and traces of wear to extremities, two bottom-most spine compartments with later replacement (blank) vellum “labels,” one now starting to peel slightly. All edges stained blue. Bookplates and inscriptions as above; front free endpaper with later pencilled annotations (one giving incorrect Adams reference). One early inked marginal annotation. Pages gently age-toned, with intermittent minor foxing to margins; final leaf with small paper flaws in lower margin. An attractive copy of an interesting and significant volume. (37916)
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Agriculture & ApiariesAlamanni, Luigi. La coltivazione et gli epigrammi ... e Le api di Giovanni Rucellai, geniluomini Fiorentini; colle annotazioni del Signor Dottor Giuseppe Bianchini. Venezia: Stamperia Remondini, 1756. 8vo (17.5 cm, 6.8"). Frontis., 96, [2], 280 pp.
Click the images for enlargements. 
a title-page printed in red and black and an engraved portrait of Alamanni.
WorldCat lists no U.S. institutional holdings of this edition.
Provenance: From the library of American collector Albert A. Howard, small booklabel (“AHA”) at rear.
• Goldsmiths'-Kress 9103.0-1. 19th-century quarter diced brown sheep with marbled paper sides done in imitation of tree calf; spine gilt-stamped with title and decorative bands; corners bumped and leather lightly worn, foot of spine discolored from a now-absent label, red-inked onetime price note on fly-leaf, otherwise clean and fresh. Title-page with outer portion restored and one letter supplied; some occasional light spotting or staining but text really quite clean. A nice old book. (37453)
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First Edition of a CLASSIC —Building Shapes EFFICIENTLYAlberti, Giuseppe Antonio. Trattato della misura delle fabbriche nel quale oltre la misura di tutte le superficie comuni si da ancora la misura di tutte le specie di Volte, e d'ogni specie di solido, che possa occorrere nella misura di esse. Venezia: appresso Giambattista Recurti, 1757. 8vo (21.4 cm; 8.5"). Engr. frontis. port., xxxii, 279, [3] pp., XXXVIII plts.
Click the images for enlargements.
37 full-page plates and one folding engraved plate depicting the various measurements and angles to be taken into consideration when building with various shapes. Alberti uses the research of other architects and theoreticians — including Jousse, Blondel, Sangallo, Parent, La Hire, and Varignon — in the explanations of various mathematical problems.
Binding: Original cartonné binding; title inked on spine, text untrimmed and partially unopened.
• Catalogo ragionato dei libri d’arte e d’antichità posseduti dal conte Cicognara, 389; Riccardi, P. Biblioteca matematica italiana, vol. I, col. 16–7. Bound as above, gently rubbed with squiggle of wormtracking through front board and first leaves including half title/frontispiece, portrait, and title-page, with delicate repairs thereto. Two central sections with light staining to upper outer corners, as of old, very light blue ink; some late leaves with slim crescent of old and likewise light waterstain just into top margins; two leaves with limited in-press ink smears (and a few mispaginations). Nice copy of an important work. (37209)
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16th-Century Tour of Italy — Venice Is an Island Alberti, Leandro. Descrittione di tutta l'Italia & isole pertinenti ad essa. In Venetia: Appresso Gio. Maria Leni, 1577. 4to (21.7 cm, 8.5"). 2 vols. in 1. [303], 503, [1(blank)], 69 (i.e., 96), [4] ff.
Click the images for enlargements. 
• Adams A475; Index Aurel. 102.349. Contemporary vellum, worn and darkened, lacking ties. Hinges (inside) with insect damage causing partial opening, text block starting to pull away from spine. Front free endpaper with two inked ownership inscriptions, one dated 1620 and one 1898. Small area of worming to upper inner margins of about 40 leaves, minor and not approaching text. Scattered instances of early inked underlining and a very few marginalia, pages otherwise pleasingly clean. Ready for many more years of use! (26501)
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Lovingly Read Copy of a BookBoth Praised & Pilloried Alcionio, Pietro. Petri Alcyonii Medices legatus de exsilio. [colophon: Venetiis: In Aedieus Aldi et Andreae Asulani, 1522]. 8vo (20.3 cm, 8"). [70] ff.
Click the images for enlargements.corrector for the Aldine press when this was published; he later went on to become Professor of Greek at Florence before following his patron to Rome. Paulus Manutius claimed that portions were actually plagiarized from an unknown copy of Cicero's De Gloria which Alcionio subsequently destroyed, a claim that unjustly tarnished Alcionio's reputation during his lifetime though later proven to be false; and the praise of his Latin implied by that led Brunet to note that the “accusation est le plus bel éloge que l'on ait pu faire de l'ouvreage d'Alcyonius.”
Evidence of Readership: A reader has added marginal notes, brackets, or underlinings in an early hand on almost every page of text.
Provenance: From the library of American collector Albert A. Howard, small booklabel (“AHA”) at rear.
• Adams A633; Brunet, I, 153; EDIT16 CNCE 859; Graesse, I, 64; Kallendorf & Wells, Aldine Press Books, 194; Renouard, Alde, p. 95, no. 6; UCLA, Aldine Press: Catalogue of the Ahmanson-Murphy Collection (2001), 215. On Alcionio, see: Contemporaries of Erasmus, I; Treccani (online). Modern half vellum and brown paper over boards, all edges speckled red; vellum foxed, paper dust-soiled with spots and stains. Very light waterstaining throughout, light to moderate marginal foxing somewhat less generally. Evidence of readership and booklabel as above; ink quite faded, some marginalia trimmed at edges, with two corners also slightly shaved. A well-read and much-marked copy of a book with a fascinating history of reception. (39423)
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Defense of a Marian CultAlcocer, José Antonio. Carta apologética a favor del título de Madre Santisima de la Luz, que goza la reyna del cielo Maria purísima señora nuestra, y de la imagen que con el mismo título se venera en algunos lugares de esta América. Mexico: por Felipe de Zúñiga y Ontiveros, 1790. Small 4to. [34] ff., xi [i.e., ix], [1 (blank)], 197, [1 (blank)] pp. (lacks engraved plate).
Click the images for enlargements. • Medina, Mexico, 79191; Palau 6095; on Alcocer, see: Archivo biográfico de España, Portugal e Iberoamérica, fiche 23, frames 47–49. Contemporary cockled vellum, lacking the buttons for its loops, and lacking also the engraving; a very few light stains to a very few pages. Actually, quite a nice copy of the text. (36658)
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Burd's Festive Little WomenAlcott, Louisa M.; Clara M. Burd, illus. Little women. Philadelphia: John C. Winston Co., 1926. 4to (23.5 cm, 9.25"). Col. frontis., xiii, [1], 496, [2] pp.; 4 col. plts., illus.
Click the images for enlargements. the first edition to feature Burd's art, and also offers an introduction by Albert Lindsay Rowland. This copy has an inked inscription reading “Marjorie [/] From 'Lookie' Christmas 1930.”
Binding: Publisher's dark green cloth, front cover with foliate frame stamped in gilt and light green surrounding a chromolithographed paper onlay depicting the March girls peacefully at work in the woods, spine with foliate motifs repeated.
• Binding as above; gently rubbed, spine slightly darkened, lower corners bumped. Inscription on front fly-leaf as above. Pages faintly age-toned, with foxing surrounding plates (plates themselves unaffected). Loved and still lovely, with an appealingly sentimental inscription. (41375)
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Click the images for enlargements. The booklet includes on its final three pages “A short-title list of items exhibited in Some of Our Best Friends: Books Selected from Collections of Members of the Philobiblon Club, at the Rosenbach Museum & Library, 12 February – 9 May 1993,” and that is preceded on pp. 1–53 by a reprint of “A loan collection of decorative bindings, rare books, manuscripts, and other bibliographical specimens from the libraries of Philadelphia,” being the catalogue of an 1893 book exhibit at Philadelphia's Academy of the Fine Arts that partly led to the Club's formation. This is not a social history of the Club, but rather an excellent snapshot of its founding and centennial members' leading book interests.
• New. Original tan wrappers. Saddle-stitched. (35805)
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Pre-Civil War Kentucky — Particularly Its Birds — But Also Those Lovely Dresses! Allen, James Lane; & Hugh Thomson, illus. A Kentucky cardinal and Aftermath. New York & London: The Macmillan Co. (pr. by Norwood Press), 1900. 12mo (20.9 cm, 8.22"). [2], xxxii, [2], 276, [4 (adv.)] pp.; illus.
Click the images for enlargements.a new preface by the author and 100 drawings by Hugh Thomson. Set in a Kentucky village, the two pieces recount from beginning to end — in a fashion reminiscent of a natural history — the relationship between a serious-minded naturalist and the young lady who moves next door. The stories' focus on native plants and and birds was informed by the author's own experiences growing up near Lexington as one of the last of several generations of gentleman farmers. Cardinal, which opens in 1850, was first published in 1894 and Aftermath in 1895, with both stories making references to the coming war and to the question of Kentucky's honor; the publisher's advertisements at the back of this edition quote contemporary praise for their simplicity, gentleness of spirit, and “old-time courtesy.”
This edition was the first to feature Thomson's charming illustrations, depicting both indoor and outdoor scenes while notably prioritizing well-dressed human figures over Allen's lovingly described gardens and woods.
Binding: Publisher's olive cloth, front cover and spine with gilt-stamped branch and bird designs (unsigned).
• BAL 468; Wright, III, 76 & 80 (for first eds.). Binding as above, spine and board edges sunned. Page edges untrimmed; one signature carelessly opened. Aesthetically pleasing, culturally intriguing, and sure to be of interest to both birders and gardeners. (37531)
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Early Printing: WOMEN Are Inherently Flawed, ButCan Be VirtuousAllestree, Richard. The ladies calling in two parts. Oxford: Pr. at the Theater, 1673. 8vo (18.1 cm, 7.12"). [26], 141, [3], 96, 89–94, 99–[100] pp. (engr. frontis. lacking).
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• ESTC R4982; Wing (rev. ed.) A1142; Madan, Oxford Books, 2963. On Allestree, see: Oxford Dictionary of National Biography online. Contemporary polished calf, spine with gilt-stamped leather title-label and gilt-stamped decorations in compartments; binding sometime varnished with leather much worn and abraded, front joint cracked and back joint starting, spine extremities and label chipped, corners rubbed. Title-page with early inscription cut away and leaf later repaired, with partial loss of impression line; lacking frontispiece. Pages age-toned with light waterstaining to early lower margins; about 24 leaves (non-consecutive) with vertical smears of blue ink affecting but not obscuring text; a few leaves towards back with minor worming in lower outer corners. Unprepossessing physically, still a very readable copy still in a contemporary binding. (40981)
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Beloved Reading & “REMMEMBERANCE”See, its Loving PROVENANCE NotesAllestree, Richard. The whole duty of man, laid down in a plain and familiar way, for the use of all, but especially the meanest reader. London: Pr. by J. Leake for E. Pawlet, 1715. 8vo (20 cm, 7.9"). [4], xii, 503, [9] pp.; 2 plts.
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EVERYONE You Need to Know in France — Bright, Fresh, IN THE BOX! Almanach de la cour, de la ville et des départemens pour l'année 1829. Paris: Louis Janet, [1828]. 12mo (11.2 cm, 4.4"). [34], 254, [2] pp.; 4 plts.
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four steel-engraved plates offer views of the Chateau de Neuilly, Chateau d'Avaray, Chateau de Lucienne, and Chateau de Rosny (with brief descriptions of these noble residences).
Binding: Publisher's apple green paper–covered boards in original matching slipcase with gilt-stamped spine title. All edges gilt.
• Binding as above: lower front and back edges each with tiny bump, extremities showing very slight rubbing, slipcase with edges rubbed and a few small spots of discoloration. Front free endpaper with pencilled annotations in French. Pages and plates clean. Really in quite remarkable condition. (30574)
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Grammars & Language StudiesAlting, Jacob. Jacobi Altingi ... Fundamenta punctationis linguae sanctae, cum necessariis canonum, locorum S. Scripturae & vocum irregularium indicibus. Francofurti ad Moenum: Sumptibus viduae beati Knochii et J.G. Eslingeri, 1746. 8vo (18 cm; 7.25"). 3 parts in 1 vol. I: [8] ff., 385, [1] pp., [3] ff., [1], 7 pp. [30], [24] ff. II: [2] ff., 122 pp. III: [8] ff., 31, [1], 32, 88, 57–176 pp.
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• This edition not in VD18. Modern light brown paper-covered boards with paper spine label. Ex-library with faint blind-pressure stamp on title- and one other leaf and librarian's pencil notations on verso of title-page. Scattered foxing, occasional stray stain. Overall a good, solid, clean copy. (33597)
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Boccaccio's LanguageCatalogued & Cross-Referenced — A Poet's CopyAlunno, Francesco. Le ricchezze della lingua volgare. In Vinegia: [colophon: In casa de Figliuoli di Aldo], 1543. Folio (32.7 cm, 12.875"). 225, [1] ff.
Click the images for enlargements.cross-referenced as often now is not noted with their uses in Dante, Petrarch, Amedo, and Philocolo. The prefatory matter includes letters to the reader from both the Aldine Press and the author, a dedication to Cardinal Alessandro Farnese, notes on the organization of the text, numerous finding aids (word lists of homophones, foreign cognates, proverbs, and Italian dialect words), and more. Renouard notes of the work's popularity that “dans son temps, fut en grande estime, et eut un grand nombre de lecteurs,” which probably explains its reprinting in 1551, 1555, and 1557. Here, the Italian text is set in double columns using mostly italic and some roman type, with unaccomplished guide letters and catchwords; the iconic Aldine device appears within a foliate frame of four grotesques on the title-page and final text leaf. This is only the second appearance of this version of the device (B1), the first having been in Calepino's Dictionarium of 1542.
A scholarly work in vernacular language on vernacular language, from a scholarly press; furthermore a handsome publication, and in a handsome copy with wide handsome margins. (38897)
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Splendid Ceremony for a Sad Remembrance, with thePLATEAlvitez, Alejo de. Puntual descripcion, funebre lamento, y sumptuoso tumulo, de la regia doliente pompa, con que en la Santa Iglesia Metropolitana de la Ciudad de los Reyes, Lima, corte de la America Austral, mando solemnizar las reales exequias de la serenissima señora, la señora doña Mariana Josepha de Austria, reyna fidelissima de Portugal, y de los Algarves, el dia 15. de marzo de 1756. [Lima: Juan Jose Gonzalez de Cossio, 1757]. 4to (20.5 cm; 8"). [2] ff., 79, [1 (blank)], 80–237 pp., [4], [49] ff., fold. plate, illus.
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The editor, Alvitez, was a Franciscan. 
Fray Antonio de Contreras, another Mercedarian, engraved the likeness of the elaborate cenotaph that the viceroy had constructed for the day honoring the late queen.The plate is large and folding.
The poems are romances, redondillas, sonnets, decimas, etc. One poem is even an example of concrete poetry and two others are in Portuguese! (by Antonio Alberto, and Juan Julian Capetillo de la Sota, who also supplied a poem in ENGLISH). The poets include Viceroy Jose Manso de Velasco; Nicolás Sarmiento de Sotomayor y los Ríos del Campo, IV conde del Portillo; various other nobles; and one woman, Josefa Brava de Lagunas y Villela.
Provenance: 19th-century bookplate of Guillermo Miguel Irarrazabal.
The number of “splendid ceremonies” books produced in colonial Peru is small: There is no census but we suspect the number to be fewer than nine.
Searches of NUC and WoldCat find only five copies in U.S. libraries, not all of them complete with the plate. Searches of WorldCat, COPAC, CCPB, and KVK locate only 4 other copies worldwide.
• Medina, Lima, 1103; Vargas Ugarte, Impresos peruanos, 1736. Contemporary limp vellum, lacking ties. Unidentified rubber-stamp on front free endpaper (smudged, indistinct). Repair to rear free endpaper and small repair to folding plate. Clean, crisp, unwormed. A very good copy. (34629)
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