AT ONCE a great basic resource and a rewarding volume for browsing or bibliophilic pleasure-reading, this classic work by John Carter contains over 490 alphabetical entries offering definitions and analysis of technical terms as well as the jargon of book collecting and bibliography — with ampleexamples now including illustrations and much enhanced coverage of the implications of the internet.  Carter's ABC, first printed in 1952, was last revised, expanded, and given a new introduction by Nicolas Barker, his friend and the respected editor of The Book Collector, in 2004.  This new, 9th edition co-revised by Barker and Simran Thadani is a book that no purchasing collector or cataloguer should think of as a frivolous expense, and a book that as a gift to a collector or cataloguer cannot fail to please.

• Complete with printed dust-jacket; new. (39930)

Binding:  Flexible dark green cloth, cover with elegant gilt lettering and a charmingly, delicately embellished design featuring one man seated at right, fishing for a book, and another man at top left dancing to have found one. Rose-colored endpapers, cream paper wrappers bound in.

Provenance:  Bookplate of Howard Ingram Dohrman (“Coconut Grove / Canaan”) now laid in, having sometime detached itself from front pastedown.

•  Bound as above, in excellent condition. A keepsake.   (41332)

The work was first serially published in Ainsworth's Magazine in 1842–43, with a three-decker book-form printing following shortly after its completion; the present example (described as a “new edition” on the title-page) follows the story's first appearance in one volume in 1843. This copy is in the publisher's original gilt-stamped red cloth binding.

•  NCBEL, III, 912; NSTC 2A5904.   Publisher's textured red cloth, covers with embossed knotwork frames, front cover with gilt-stamped deer and castle vignette, spine with gilt-stamped title and three scenes; joints and extremities rubbed with cloth starting to peel at back corners, spine and board edges somewhat darkened. Frontispiece portrait with upper outer corner waterstained (not affecting image), added engraved title-page darkened, scattered small spots of foxing to pages and plates. A delightful Cruikshank item, and thrill-inducing in its own right as an English Gothic historical novel. (39887)

This is the original first edition, not a modern reprint.

Binding:  Publisher's light blue straight-grained cloth, front cover and spine with gilt-stamped title, front cover with desert vignette stamped in black and green.

•  Binding as above, minimal wear to extremities, spine with small area of light discoloration. Light pencilled underlining and marks of emphasis, including a star and a wing (all removable). A nice copy of an interesting volume.  (28604)

Binding:  Dark blue-purple velvet with silver fittings including a clasp, four arabesque corner bosses surrounding a central decoration of Mary holding baby Jesus on front, and four neat pyramidal corner bosses on back; spine entirely plain. White moiré paper endpapers, all edges gilt.

Provenance:  20th-century signature of Franz Joseph Faveaux on front endpaper.

•  Bound as above, light rubbing to edges and more at corners; light age-toning and some very light foxing variably; some sections with other light to moderate spotting. A “luxury” production as to both its binding and its handsome plates.  (36125)

The booklet includes on its final three pages “A short-title list of items exhibited in Some of Our Best Friends: Books Selected from Collections of Members of the Philobiblon Club, at the Rosenbach Museum & Library, 12 February – 9 May 1993,” and that is preceded on pp. 1–53 by a reprint of “A loan collection of decorative bindings, rare books, manuscripts, and other bibliographical specimens from the libraries of Philadelphia,” being the catalogue of an 1893 book exhibit at Philadelphia's Academy of the Fine Arts that partly led to the Club's formation. This is not a social history of the Club, but rather an excellent snapshot of its founding and centennial members' leading book interests.

•  New. Original tan wrappers. Saddle-stitched.  (35805)

This edition was the first to feature Thomson's charming illustrations, depicting both indoor and outdoor scenes while notably prioritizing well-dressed human figures over Allen's lovingly described gardens and woods.

Binding:  Publisher's olive cloth, front cover and spine with gilt-stamped branch and bird designs (unsigned).

•  BAL 468; Wright, III, 76 & 80 (for first eds.).   Binding as above, spine and board edges sunned. Page edges untrimmed; one signature carelessly opened. Aesthetically pleasing, culturally intriguing, and sure to be of interest to both birders and gardeners. (37531)

This isnumbered copy 733 of 2000 printed, signed at the colophon by the illustrator. Both the appropriate Club newsletter (in its original envelope) and the prospectus are laid in.

•  Bibliography of the Fine Books Published by the Limited Editions Club, 497.   Publisher's fabric-covered binding as above, spine with gilt-stamped leather title-label, in original brown paper–covered slipcase with printed paper label; spine cloth very slightly (and unobtrusively) sunned, slipcase showing only minimal traces of shelfwear.A nice copy of this handsome piece of LEC exotica.  (36838)

A gift inscription tipped to the front fly-leaf reads, “From the Wardroom Officers of the Joint A/S [i.e., Anti-Submarine] School & Barracks, Londonderry — with their congratulations and best wishes for a long & happy married life,” signed E. Hart Dyke, Commander, and dated 31 August 1946.

Binding:  Full olive green textured calf, spine gilt extra, boards with simple gilt double-rule borders and zig-zag gilt decoration along their edges; gilt floral roll to generous turn-ins and marbled paper pastedowns. All edges gilt. A tiny stamp on a front endpaper indicates this copy was bound by Bayntun-Riviere of Bath, England.

•  Bound as above, mild rubbing to rear board only and light soiling along edge of tipped-in inscription (perhaps from the glue). Binding and interior very clean. A lovely copy with a pleasing provenance.  (37324)

•  Publisher's blind-stamped textured cloth, spine gilt-stamped; binding lightly worn, with spine gilt rubbed and dimmed. Front pastedown with bookplate of J.E. Vanderhoef, front free endpaper with early inked inscription of Susan A. Baker. Some foxing to endpapers and a few scattered spots to pages; internally mostly clean.  (8958)

•  Publisher's yellow bookcloth wrappers, front wrapper with affixed photographic label. Very clean and crisp.  (30630)

The present rendition was excerpted from the first eight chapters of the Critical Review, and closes with a discussion of Cromwell's burial; much of Bancks's editorializing regarding the conduct of the king and other political matters has been removed, providing an interesting contrast to the original work. According to the DNB, the work in its first state earned Bancks accusations of being an enemy of the monarchy due to its sympathetic tone towards Cromwell — a major difference from all previous biographies.

This edition features a wood-engraved frontispiece done by Turnbull after Harper.

Provenance:  From the library of American collector Albert A. Howard, small booklabel (“AHA”) at rear.

•  Not in NSTC (CD version). On Bancks, see: Oxford Dictionary of National Biography online.   Recent light blue paper–covered boards, front cover with printed paper label. Frontispiece recto (back) with rubber-stamped numeral and pencilled annotation, no other markings. Pages age-toned with spots of minor staining, edges slightly ragged, corners bumped. An intriguing oddity.  (38654)

•  Publisher's cloth in original dust jacket; jacket with spine sunned, spine and extremities chipped. Ex–social club library: Front pastedown with bookplate and evidence that jacket was once taped down, dedication page with inked numeral in lower margin, spine with inked shelving number. Title-page with inked private ownership inscription dated 1942. Laid in, an amusing newspaper snippet. Outer edges (closed) with small area of staining; otherwise, internally clean and nice.  (33133)

•  Publisher's quarter leather over printed boards, respined with cloth tape; clean, solid copy.  (3612)

Provenance:  From the library of American collector Albert A. Howard, small booklabel (“AHA”) at rear.

•  Publisher's navy cloth with gilt lettering to spine, in original yellow dust jackets printed in black and white; extremities bumped, boards lightly soiled, jackets price-clipped, edgeworn, and faintly soiled. This very good set includes volumes 1–3 of 4.  (38055)

•  Publisher's stiff wrappers in the publisher's open-back slipcase. New.  (35392)

Provenance:  Presentation copy from the publisher: “C.S. Bell, Esq. with J.G.B.'s compts.” (i.e., John G. Bell). This copy came from the Bewick collection of S. Roscoe, with his cataloguing slip tipped in and his pencilled note “one of 18 on large paper” (which we believe is erroneous). Described on Roscoe's slip as “on blue” paper: if so, it is very, very pale blue.

•  Hugo, Bewick Collector, 466.   Fine copy in later marbled light boards, edges lightly rubbed; provenance/presentation indicia as above.  (38856)

•  Publisher's case of tan buckram and textured grey paper–covered sides, front cover and spine with red paper labels, in matching slipcase; slipcase rubbed but solid with spine cloth slightly foxed, case otherwise showing virtually no wear. The enclosed portolio, pristine. (41304)

Provenance:  From the library of American collector Albert A. Howard, small booklabel (“AHA”) at rear.

•  Bound as above, spines sunned as is often seen with these volumes; slipcase somewhat darkened with spine and edges showing this more notably. Books crisp and clean. A nice set. (41317)

Binding:  Straight-grained roan, covers gilt-ruled and spine gilt extra.

•  O'Callaghan 213; Hills 765 (not calling for a frontis.); not in Herbert.   Binding rubbed, with corners bumped and spine-gilt faded but still softly pretty; lacking the frontispiece (which Hills does not call for) and title-page partially detached at gutter. Pp. 5–6 and 229–30 chipped on lower outer corner, with loss of part of page number from the former; free endpapers chipped; some old dog-ears; light foxing and occasional spots, and occasional light waterstaining. An attractive, solid small American Testament.  (7513)

One of the “Collector's Series in Science” publications.

•  Publisher's quarter cloth. In original slipcase, which is sunned (and pictured above). Very Good condition.  (22449)

•  Publisher's printed salmon-colored paper wrappers, front and back wrappers with engraved vignettes; spine and edges mildly rubbed, back wrapper with small scuffs. All edges gilt. First and last few leaves lightly foxed.  (29059)

Binding:  Flexible dark green cloth, cover with elegant gilt lettering and a charmingly, delicately embellished design featuring one man seated at right, fishing for a book, and another man at top left dancing to have found one. Rose-colored endpapers, cream paper wrappers bound in.

Provenance:  Bookplate of Howard Ingram Dohrman (“Coconut Grove / Canaan”) now laid in, having sometime detached itself from front pastedown.

•  Bound as above, in excellent condition. A keepsake.   (41332)

Binding:  Publisher's mauve paper–covered boards, front cover with decorative rose-printed paper label, spine with printed paper label; edges uncut. Present are both the original dust wrapper, plain save for spine note of author, title, and date, and the publisher's box with the same information on its spine and the title repeated on its cover.

•  Box sunned with edges shelfworn, dust wrapper darkened with closed tear from lower front edge. Spine of volume gently sunned with head smudged; book otherwise clean and beautiful, fresh inside.  (29726)

Provenance:  Front free endpaper with pencilled inscription of Harry E. Young, dated 1921.

•  American Fiction, 1901-1925, B-858; Gullans & Espey, Checklist of Trade Bindings Designed by Margaret Armstrong, 38.   Publisher's tan paper–covered sides with title stamped in black and grapevine design in green and purple, light green cloth shelfback with matching grape motif, in original color-printed dust jacket; jacket, with spine and back panel slightly dust-soiled, front joint rubbed, three short edge tears and a few tiny edge nicks, in overall very good, attractive condition. The volume itself, in its Armstrong binding, shows a faint narrow band of offsetting across its back cover (only) from “protective” plastic wrapping the dust jacket; otherwise, very clean and fresh. A nice copy of the now-uncommon first edition of a socially interesting novel in an “MA” binding. (37550)

This is numbered copy 1063 of the 2000 printed, signed by both Levine and Bentley at the colophon. The monthly newsletter is laid in.

Binding:  Full black linen, stamped in gold on the front cover from a design by Levine, with gilt lettering to spine.

Binding, slipcase, and illustrations all properly evoke the grittiness of the London underworld.

•  Bibliography of the Fine Books Published by the Limited Editions Club, 529.   Bound as above, in original black slipcase with gilt lettering to spine; minor rubbing to slipcase. A highly enjoyable copy of a fine production.  (39034)

•  Publisher's green cloth. As new.  (29580)

•  NCBEL, III, 798 (for main Dombey & Son info.).   Publisher's printed light blue-green paper wrappers; wrapper edges sunned and lightly worn. Very slightly and evenly age-toned with small spots of faint foxing mostly confined to margins; light offsetting from images, primarily affecting (blank) reverses save in Little Paul's case, where a ghostly Edith is faintly visible over his head. An attractive set.  (41239)

Binding:  Bound by the Tapley-Rutter Company in “full Schumacher cloth with an all over multicolor Colonial pattern.” On the spine, a burgundy leather label with gilt lettering.

•  Bibliography of the Fine Books Published by the Limited Editions Club, 491.   Binding as above, in original brown paper–covered slipcase; slipcase showing minimal shelfwear, volume fresh and clean. A handsome, crisp copy.  (39040)

•  Binding as above. Pristine in a mylar wrapper.  (30559)

Binding:  Publisher's green decorative cloth printed on front cover with a guitar and lady's fan in gilt and with a flowering vine design in dark green and gold; spine lettered in gold.

•  BAL 2073, state 2; Wright, III, 814.   Bound as above, slightly cocked; top and bottom of spine rubbed with loss of green coloring of cloth, now a bit frayed, and spots of discoloration on rear cover. Interior lightly age-toned, overall unmarked and readable. A nice copy.  (35454)

The colophon notes that this is one of 750 unnumbered copies “printed on Van Gelder hand-made paper and the type distributed in the month of December MDCCCCXIV.”

•  Bishop, Mosher, 180; Hatch, Mosher, 610.   Green paper shelfback with pictorial blue and white paper–covered boards, white printed paper labels with green and red lettering to spine and front board; minor darkening to board edges; signatures unopened. In original white paper dust jacket; age-toned and edgeworn with chipping to extremities. A truly handsome edition in a nice copy.  (38900)

Uncut and unopened copy of a beautifully accomplished volume.

•  Not in Penzer, Annotated Bibliography of Sir Richard Burton.   Publisher's quarter vellum and marbled paper–covered sides, spine with gilt-stamped title; vellum darkened, corners bumped. Pages clean.  (28273)

•  Binding as above, very gently sunned, upper outer corners slightly bumped. Front pastedown with private collector's armorial bookplate. Pages clean.  (19634)